What My Wardrobe Carried Until I Could
Clothes don’t just mark time — they hold it.
Here’s what this is about
My wardrobe remembered things I hadn’t yet learned to name.
It carried rebellion, softness, control, defiance—until I could carry myself.
These weren’t just outfits. They were emotional scaffolding.
I never wanted to dress like the other girls.
It wasn’t rebellion.
It wasn’t even discomfort.
It was something quieter — a kind of resistance I didn’t yet have words for.
I just knew I didn’t belong in pink dresses and glittery shoes lined up like stage props.
They looked like invitations to a performance I had no interest in auditioning for.
I wasn’t against femininity.
I just didn’t like the version they were selling — pastel, performative, brittle.
I didn’t know yet what I wanted instead.
But I knew it had to be real.
So I asked my grandmother — a seamstress — to make me a coat.
It took her some time to work out what I was really asking for.
I didn’t know the proper name.
A trench coat.
Not a child’s coat.
A proper one.
The kind I’d seen in old films — worn by women who moved like they meant it, their heels echoing off polished streets.
I was too young for heels.
But a trench coat?
That I could wear.
The heels would come later.
My mum still tells the story.
How I stood there, small but certain,
asking for something sharp, structured, and not remotely appropriate for my age.
Even then, I knew:
if I was going to wear something,
it had to mean something.
But there was a stretch of time where I stopped dressing for myself altogether.
Not to blend in.
But to refuse expectation.
Baggy jeans. Hoodies. Trainers that said nothing.
I wasn’t dressing like a boy.
I was dressing in refusal.
It worked.
Mostly.
But it also meant disappearing differently.
It took years to feel comfortable in my body.
Longer still to feel safe enough to re-enter the world of colour, of shape, of silhouette.
But when I did, I didn’t return to femininity.
I rebuilt it.
Structured dresses.
Statement heels.
Saturated colour.
Not to be looked at — but to anchor myself.
Not decoration — but architecture.
Clothes don’t just mark time for me.
They hold it.
They map it.
And colour —
colour is the signal I didn’t realise I was sending all along.
When I’m happy, I see it more vividly.
I wear it more easily.
When colour starts fading from my wardrobe,
it’s already fading from me.
There was a time I couldn’t wear pink.
Not because I hated it.
Because it felt like a costume for someone I didn’t recognise.
Too soft.
Too compliant.
Too expected.
Now?
It’s everywhere.
In my home.
On my heels.
In the details I used to flatten out.
I don’t wear it to feel like a girl.
I wear it because it no longer threatens who I’ve become.
No Fit Found.
But it came in pink.
Image by Craig Adderley, via Pexels
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